Audio CD
Publisher: Caedmon; UNAbridged edition (May 8, 2001)
Language: English
ISBN-10: 0694524980
ISBN-13: 978-0694524983
Product Dimensions: 5.3 x 5.4 x 0.5 inches
Shipping Weight: 5.6 ounces
Average Customer Review: 4.5 out of 5 stars See all reviews (13 customer reviews)
Best Sellers Rank: #237,996 in Books (See Top 100 in Books) #3 in Books > Books on CD > Authors, A-Z > ( H ) > Hemingway, Ernest #37 in Books > Books on CD > Literature & Fiction > Classics #383 in Books > Books on CD > General
Of the Charleton Heston readings of The Old Man and Snows little need be said; they are professional in all respects and fine as they can be. It is good to hear Hemingway's deceptively simple prose read well, for it discloses the fundamental modern English architecture beneath it: decidedly tuned to the ear, with conscious attention to alliteration and repetition of sounds and words. The stories are two of the most carefully crafted in Hemingway's canon, and the resonant voice of Heston will gratify repeated listenings. The addition of a rare disc of Hemingway's own voice will seem, in context, a throw-away or add-on. First of all, the listener will be startled by the high, occasionally hesitant pitch of the author's voice, simultaneously tentative and clipped, and heavily accented. It is no species of stereotyped tough guy one might have expected, neither Jimmy Cagney nor John Wayne. Nor is it one used to public performance. It is quite obviously private, and distinctly regional -- the timbre found in many great plains settlers, with a distinctly 19th century timbre that by now has all but vanished. The occasion was Hemingway's pal A.E. Hotchner (author of Papa Hemingway) bringing a tape recorder down to Cuba in the 1950s. Set pieces of the public non-fiction voice were what the author obviously found most comfortable in this experiment: introductions to an obscure play and the collected stories, and finally a very moving performance of the short Nobel speech. There is also humor -- a self-parody of Across the River and Into the Trees harder on himself than any critic, and an outrageous improvised bawdy tale that sounds rather boozed.
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