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All Tomorrow's Parties
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Colin Laney, sensitive to patterns of information like no one else on Earth, currently resides in a cardboard box in Toyko. His body shakes with fever dreams, but his mind roams free as always, and he knows something is about to happen. Not in Toyko; he will not see this thing himself. Something is about to happen in San Francisco... The mists of San Francisco make it easy to hide, if hiding is what you want, and even at the best of times reality there seems to shift. A gray man moves elegantly through the mists, leaving bodies in his wake, so that a tide of absences alerts Laney to his presence. A boy named Silencio does not speak, but flies through webs of cyber-information in search of the one object that has seized his information. And Rei Toei, the Japanese Idoru, continues her study of all things human. She herself is not human, not quite, but she's working on it. And in the mists of San Francisco, at this rare moment in history, who is to say what is or is not impossible...

Audio CD

Publisher: Brilliance Audio; Library edition (November 22, 2011)

Language: English

ISBN-10: 1455857912

ISBN-13: 978-1455857913

Product Dimensions: 7.1 x 1 x 6.5 inches

Shipping Weight: 14.4 ounces (View shipping rates and policies)

Average Customer Review: 3.6 out of 5 stars  See all reviews (160 customer reviews)

Best Sellers Rank: #13,995,994 in Books (See Top 100 in Books) #23 in Books > Books on CD > Authors, A-Z > ( G ) > Gibson, William #6618 in Books > Books on CD > Science Fiction & Fantasy > Science Fiction #7852 in Books > Books on CD > Science Fiction & Fantasy > Fantasy

Ignore the adoloscent losers who are stuck on Neuromancer. The fact is our cyber future is not going to be filled with one dimensional badasses who do badass things to badass people with badass computers. Cyberspace is real, and it's in the here and now, and badasses line up it alongside married housewives from Chicago who talk about Beanie Babies online. This is the real future, and Gibson is not a prophet, as so many want him to be. He's someone who finds the patterns in culture at large and uses sci fi to extend or pardoy those patterns, and this new book is the culmination of an older, wiser Gibson. I mean, what better motivation can there be in the future for a character (like Rydell) than wanting to have a steady job? That pressure is tremendous and a great deal more pertinent today for millions of people than whether or not someone can crack a dbase. As well, Gibson is in person a very funny guy, and this is his first truly hilarious book, one that actually made me laugh out loud. And this is the first William Gibson book which cannot be denied, as some scholars to do his other work, actually is about something. His prose has become sharper and more lucid than before, and with this I truly think he is becoming the Cormac McCarthy of science fiction - a down south good ol boy working in an established genre and tearing it up and down. As for complaints about the ending - well you just have to look hard enough. It does make sense, and it gave me chills. I'll give you a hint: Neal Stephenson cheated nanotech by insisting that with it would come a new social order which would displace the ramifactions of a post production culture and keep us human.

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