Audio CD
Publisher: Brilliance Audio; Library edition (November 22, 2011)
Language: English
ISBN-10: 1455857912
ISBN-13: 978-1455857913
Product Dimensions: 7.1 x 1 x 6.5 inches
Shipping Weight: 14.4 ounces (View shipping rates and policies)
Average Customer Review: 3.6 out of 5 stars See all reviews (160 customer reviews)
Best Sellers Rank: #13,995,994 in Books (See Top 100 in Books) #23 in Books > Books on CD > Authors, A-Z > ( G ) > Gibson, William #6618 in Books > Books on CD > Science Fiction & Fantasy > Science Fiction #7852 in Books > Books on CD > Science Fiction & Fantasy > Fantasy
Ignore the adoloscent losers who are stuck on Neuromancer. The fact is our cyber future is not going to be filled with one dimensional badasses who do badass things to badass people with badass computers. Cyberspace is real, and it's in the here and now, and badasses line up it alongside married housewives from Chicago who talk about Beanie Babies online. This is the real future, and Gibson is not a prophet, as so many want him to be. He's someone who finds the patterns in culture at large and uses sci fi to extend or pardoy those patterns, and this new book is the culmination of an older, wiser Gibson. I mean, what better motivation can there be in the future for a character (like Rydell) than wanting to have a steady job? That pressure is tremendous and a great deal more pertinent today for millions of people than whether or not someone can crack a dbase. As well, Gibson is in person a very funny guy, and this is his first truly hilarious book, one that actually made me laugh out loud. And this is the first William Gibson book which cannot be denied, as some scholars to do his other work, actually is about something. His prose has become sharper and more lucid than before, and with this I truly think he is becoming the Cormac McCarthy of science fiction - a down south good ol boy working in an established genre and tearing it up and down. As for complaints about the ending - well you just have to look hard enough. It does make sense, and it gave me chills. I'll give you a hint: Neal Stephenson cheated nanotech by insisting that with it would come a new social order which would displace the ramifactions of a post production culture and keep us human.
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