Audio CD: 2 pages
Publisher: Blackstone Audiobooks; Unabridged edition (April 1, 2013)
Language: English
ISBN-10: 1455112615
ISBN-13: 978-1455112616
Product Dimensions: 5.2 x 0.8 x 5.7 inches
Shipping Weight: 2.9 ounces (View shipping rates and policies)
Average Customer Review: 4.2 out of 5 stars See all reviews (84 customer reviews)
Best Sellers Rank: #5,961,775 in Books (See Top 100 in Books) #19 in Books > Books on CD > Authors, A-Z > ( M ) > Melville, Herman #2095 in Books > Books on CD > Literature & Fiction > Classics #19166 in Books > Books on CD > Literature & Fiction > Unabridged
"Bartleby" is strictly speaking just a magazine sketch, one of a batch of informal sketches from magazines reprinted together as The Piazza Tales. It has the format of a memoir of an eccentric character, Bartleby, as told by a nameless first-person narrator, "an eminently safe man" by his own account, a lawyer who earns his living through the most mundane, routine legal paperwork, who also complains that 'reformers' have deprived him of his lucrative sinecure in state government. "I am a man who, from his youth upwards, has ben filled with a profound conviction that the easiest way of life is the best," he says of himself. In short, in this "Story of Wall Street", he is a drone, a financial parasite, and he would have been recognized as such by Melville's readership in the 1850s, a era when Wall Street was regarded with as much suspicious as in 2009. He is also a smug, sanctimonious, cautious man, irritably comfortable to exploit the labor of his copyists, one of whom is an impaired alcoholic and the other perhaps a pre-medication psychotic. When the third impaired eccentric, Bartleby, joins the staff, our Narrator is readily 'generous' in tolerating him as long as he can make a dime. It seems to me fairly obvious that we readers are supposed to treat the Narrator with distrust, perhaps even dislike.Melville wrote at the beginning of the now-established literary tradition of the 'unreliable narrator', supplanting the omniscient narrator of the majority of 19th C novels. But Melville transcends that tradition in his first effort, giving us a 'clueless' narrator, an observer who is honest only in his acknowledgement of his complete non-understanding of his subject. To accept the Narrator's analysis of Bartleby would be a fatal error of readerly judgement.
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