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George Smiley is one of the most brilliantly realized characters in British fiction. Bespectacled, tubby, eternally middle-aged and deceptively ordinary, he has a mind like a steel trap. It is 1962--the height of the Cold War--and only months after the building of the Berlin Wall. Alec Leamas is a hard-working, hard-drinking British intelligence officer whose East Berlin network is in tatters. His agents are either on the run or dead, victims of the ruthlessly efficient East German counter-intelligence officer Hans-Dieter Mundt. Leamas is recalled to London, where instead of being consigned to a desk he's offered a chance to have his revenge by becoming a pawn in a brilliantly-conceived plot to destroy Mundt. But in order to do so he has to stay out in the cold a little longer.Starring the award-winning Simon Russell Beale as Smiley, and with a distinguished cast including Brian Cox as Alec Leamas, this compelling dramatization perfectly captures the atmosphere of le Carré's taut thriller.
Audio CD
Publisher: BBC Audiobooks America; Unabridged edition (September 8, 2009)
Language: English
ISBN-10: 1602836582
ASIN: B00403NGOU
Product Dimensions: 5.8 x 5 x 0.6 inches
Shipping Weight: 4 ounces
Average Customer Review: 4.4 out of 5 stars See all reviews (491 customer reviews)
Best Sellers Rank: #11,323,154 in Books (See Top 100 in Books) #54 in Books > Books on CD > Authors, A-Z > ( L ) > Le Carre, John #16437 in Books > Books on CD > Mystery & Thrillers #24747 in Books > Mystery, Thriller & Suspense > Thrillers & Suspense > Spies & Politics > Espionage
What is to be said about John Le Carré's THE SPY WHO CAME IN FROM THE COLD? It's shockingly entertaining, it's genuinely unpredictable, and it doesn't offer up a cheap get-out-of-jail-free ending. The characters are cursory without being shallow, the plot moves with amazing speed, and the action keeps bouncing along. In short, this is pretty much the perfect spy novel. As engrossing as it is realistic, and as absorbing as it is intriguing.SPY is a book based almost entirely around its plot, and while I usually give a storyline summary in my reviews, I don't think I'll be doing that this time. You see, the novel relies so much upon its double-crosses and back-stabbings that even the parts in the beginning (which are usually fair game for reviewers to spoil) can be puzzling and fun to follow. Every part of the story is interesting. Where other novels would still be setting up the premise, SPY has already started playing the game.Apart from the deviously clever plot, there is one additional thing I want to single out for praise -- the relationship that takes place between two of the main characters. On paper, it's a fairly standard idea: an older male spy paired with a younger, idealistic, innocent woman. But in execution it's a very nicely unstated bit of romance. It felt real, in part because Le Carré didn't beat us over the head with the details, merely sketched in the broader strokes and let the reader's imagination do the rest.SPY isn't a story where the characters trade artificially witty banter in between their death-defying action sequences. The protagonist spends most of the book tired, battered and confused. It can be a mystery at times guessing whether he really knows what's going on, whether he is the chess-player or the pawn.
John Le Carre's disillusioned, cynical and spellbinding spy novels are so unique because they are based on a wide knowledge of international espionage. Le Carre, (pen name for David John Moore Cornwell), acquired this knowledge firsthand during his years as an operations agent for the British M15. Kim Philby, the infamous defector, actually gave Le Carre's name to the Russians. The author's professional experience and his tremendous talent as a master storyteller and superb writer make "The Spy Who Came In From The Cold" one of the most brilliant novels I have read about spying and the Cold War. Graham Greene certainly agreed with me, or I with him, when he remarked that it is the best spy story he had ever read. The novel won Le Carré the Somerset Maugham Award.The novel's anti-hero, Alec Leamas, is the antithesis of the glamorous action-hero spy, James Bond. A successful espionage agent for the British during WWII, Leamus continued on with counter-intelligence operations after the war, finding it difficult to adjust to life in peacetime. He eventually became the head of Britain's Berlin Bureau at the height of the Cold War. Leamus, slowly going to seed, drinking too much, world weary, had been losing his German double agents, one by one, to East German Abteilung assassins. Finally, with the loss of his best spy, Karl Riemeck, Leamus has no agents left. His anguish at Riemeck's death is palpable. He has begun to tire of the whole spy game, as his boss at Cambridge Circus, (British Intelligence), seems to understand.Leamus is called back to London, but instead of being eased out of operations, called "coming in from the Cold," or retiring completely, he is asked to accept one last, dangerous assignment.
A word of warning: "The Spy who Came in From the Cold" is not just an espionage thriller, it's a horror story.British MI-5 agent Alec Leamas, the eponymous hero of John Le Carre's brutal little espionage masterpiece "The Spy Who Came in From the Cold", discovers that being a secret agent at the height of the Cold War is a little like being a man outside in the cold, looking in on the friendly warmth of home and hearth but unable to come in---so close, yet so far. His life depends on keeping up a charade, on cloaking his intentions and lying about his work. He can trust no one but himself, and he keeps an eagle eye on himself.To make matters worse, a botched defection at the Berlin Wall sends Leamas's career into free fall, prompting his recall to London, a subsequent reassignment to a desk job in Personnel, and, simultaneously, the hatching of one of British intelligence chief Control's more byzantine little schemes: use Leamas's fall from grace as a means of ferreting out and destroying Hans Dieter Mundt, a high-ranking East German master spy and Leamas's shadowy nemesis.To say more would be unfair to the reader. Le Carre, himself a former British intelligence officer, is perfectly suited to composing the elaborate, excruciating fencing match between London and Moscow that lies at the heart of so many of his best tales. The typical Le Carre protagonist and his handlers are not James Bondian pulp heroes with Union Jacks painted on the pommel of their 9MM Walther PPKs; instead, they tend to be bland, non-descript ciphers, poker-faced and cynical creatures who hide their machinations under bland exteriors."The Spy" is Le Carre at his deftest, and the Cold War at its coldest.
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