Audio CD
Publisher: Hachette Audio; Unabridged edition (April 16, 2013)
Language: English
ISBN-10: 1619698307
ISBN-13: 978-1619698307
Product Dimensions: 5 x 0.8 x 5.8 inches
Shipping Weight: 3.2 ounces (View shipping rates and policies)
Average Customer Review: 4.6 out of 5 stars See all reviews (21 customer reviews)
Best Sellers Rank: #290,912 in Books (See Top 100 in Books) #23 in Books > Books on CD > Poetry & Drama #26 in Books > Books on CD > Literature & Fiction > Poetry #30 in Books > Books on CD > Literature & Fiction > Short Stories
Last May - at the large "Book Expo America"- I picked up an advertising card for this "audio book" and anxiously awaited its release. All I knew was that it was the legendary folk icon, Pete Seeger, talking with music from over 70 musicians. Well, now it's out and I've had a chance to hear the project and I must say it is unlike ANYTHING that Pete has done in the past. In fact, I can't think of any "audiobook" project I've heard before. That said, I think this is something those who love the soon-to-be 94-year old Seeger will want to hear, but they need to be prepared as well. During the 2 ½ hours on the two CDs you will some songs, but none of them are sung by Pete. But you will hear him telling stories (some familiar, like that of the little boy Abiyoyo ) and many not (the story behind "Tzena Tzena"; how he met his devoted wife Toshi). He talks about Elizabeth (Libba) Cotton, the composer of "Freight Train" and his involvement with fellow American icons Martin Luther King and Woody Guthrie.Project Producer (and musician) Jeff Haynes, took Seeger's recently recorded narration and had musicians like new-age composer and artist Will Ackerman and percussionist Samite add varying musical backgrounds to the 24 stories. The music ranges from bluegrass to jazz at folk. And there are some vocals sung but, again, not by Seeger.While I support this project - heck anytime Seeger talks, I listen - I often found the music a bit distracting, rather than supporting his stories. When they were used BETWEEN Pet's words, they worked better for me than when they were behind his voice. Pete has always had a particular cadence to his speaking (and singing too) and when the music styles changed from track to track they were sometimes at odds to his voice.
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